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・ Le Quesnoy-en-Artois
・ Le Plus Grand Français
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・ Le Point du jour
・ Le Poinçonnet
・ Le Poiré-sur-Velluire
・ Le Poiré-sur-Vie
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Le Pont aux Anglais, soleil couchant
・ Le Pont de l'Europe
・ Le pont des soupirs
・ Le Pont du Nord
・ Le Pont-Chrétien-Chabenet
・ Le Pont-de-Beauvoisin
・ Le Pont-de-Beauvoisin, Isère
・ Le Pont-de-Beauvoisin, Savoie
・ Le Pont-de-Montvert
・ Le Pont-de-Planches
・ Le Pontet
・ Le Pontet, Savoie
・ Le Pontet, Vaucluse
・ Le Ponthou
・ Le Pop


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Le Pont aux Anglais, soleil couchant : ウィキペディア英語版
Le Pont aux Anglais, soleil couchant

''Le Pont aux Anglais, soleil couchant'' is an oil painting created in 1905 by the French artist Robert Antoine Pinchon (1886–1943). Associated with the new generation of l'École de Rouen〔François Lespinasse, ''Robert Antoine Pinchon'', Association Les amis de l'École de Rouen, 2007〕〔(Edition du Groupe des XXX (trente), Paris, Rouen, December 1907 )〕〔After James H. Rubin, ''L'Impressionnisme'', 2008 (), ISBN 978-0-7148-9081-4.〕 Pinchon executed this work in a Post-Impressionist style with a subdued Fauve or Neo-Impressionist palette of golden yellows and incandescent blues. The dynamic image of the train in Pinchon's painting is an homage to the emerging industrialized world.
The work was exhibited in April 1905 at the Galerie Legrip in Rouen (see photograph), and again at the Musée des Beaux-Arts de Rouen; inauguration 13 November 1909. In the collection of François Depeaux at the time, ''Le Pont aux Anglais, soleil couchant'' was purchased by the Musée des Beaux-Arts de Rouen in 1909 where it currently forms part of the permanent collection.〔(Joconde, Portail des collections des musée de France )〕
==Description==

''Le Pont aux Anglais, soleil couchant'' is an oil painting on canvas in a horizontal format with dimensions 54 x 73 cm (21.25 by 28.75 in), signed ''R Pinchon'' lower left. The composition painted en plein air (sur le motif, in the open air), is dominated by the Pont aux Anglais, Rouen, with receding perspective tending towards the right side of the canvas. A locomotive and train cars pass over the bridge leaving a trail of steam in the direction of the receding perspective, carrying the eye towards the right, where below, a boat passes carrying two people a short distance from Le Pont aux Anglais. The rhythmic arches of the bridge and the speeding train create a sense of dynamism and modernity not often found in Post-Impressionist works. The colors Pinchon has chosen to depict this late afternoon scene are both warm and cool. The golden yellow highlights generated by the setting sun, off the canvas to the left, are juxtaposed against the grays, blues, violets and greens of the background hillside, the bridge and its massive base pillars, the poplar trees and the River Seine in the foreground.

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